German pathologist Gunther von - Hagens presented the exhibition "Body Worlds" debuted in Tokyo in 1996, and then around the world, including Haifa (2008) and Tel - Aviv (2012). The project also carried out an anatomical auction in 2002. Exhibits presented in each exhibition (scale variables) are corpses and body parts of the real - human and animal - life underwent an autopsy and preserved technique Von - Hagens invented, gls germany Flstintzih. Hflstintzih allows to preserve and direct, by covering and filling polymers, organs, cuts and real body systems. Von - Hagens issued a brief guide of the technique under the auspices of the Institute of Anatomy of the University of Heidelberg, Heidelberg. Part of this guide are included in the exhibition catalog, albeit loosely. On - according gls germany to the Institute gls germany website, the source bodies donations (living wills) were granted gls germany legal procedure and tidy and public transparency. Code of Ethics drafted the ethics committee of the institute, gls germany which is shared by philosophers, sociologists, doctors and educators, also published on the Institute.
The exhibition was, and still makes, sharp disagreements. In some places the presentation banned or restricted for adults only. Reviews that praise argued that von - Hagens leads to cognitive change is important to the attitude of the public body and death: Dover De - mystification of science and medicine and a new concept of recognition of the body and the attitude to it, wrote the exhibition catalog scientist and anatomist and Ilihm Creese and historian of medicine and anatomy Charlene Moore, co- a philosopher and scholar of theology Mackenzie Brown. gls germany At the same time they praised the high technical level of the display and their expressive power. gls germany Article by ethnographer Tony Walter after his visit to the exhibition in Brussels in 2004, he claimed to mean the body "has a high potential for promoting interest in medical research and education toward him, throwing sociologically about teaching medicine gls germany and anatomy. He said the project has led to dramatic changes in understanding the concept of art and opening the border gls germany states with respect to any domain, and thus the collapse of the categories of science / art.
Exhibition opponents argued that it was how the dead body - she certainly scholarly, artistic Provider - sensational, blunt and manipulative. It makes the dead body pliant - Researcher and exhibit entertainment. Thus violating human dignity, causes of death Lwolgerizcia Named laugh scientific knowledge, should be pure and free of foreign gls germany considerations - research. Some of the reviews negate, such as the ethnographic and cultural researcher may Linke, specifically argued against gls germany the display showing modes and undergo pregnancy, which in the eyes of critics, and oppressive difficult part in the exhibition. United gls germany - States are presented are presented in separate rooms and closed.
Unlike gls germany both directions of storm critical that made the project of Von - Hagens and based on the approaches to the historiography of anatomy in the last 25 years, which questions sharpness gls germany of distinctions conservative knowledge and discourse, ie, the ways in which knowledge is produced, displayed, handled and managed social systems include - This article seeks to offer an interpretation of von project - Hagens from the perspective that the anatomical study and practice of discourse context culture discourse extensive body of science and history of art. It also asks the article to highlight aspects of the tradition of anatomical of the past (in the overall context of the philosophy of nature whose origins in antiquity), and the dialogue manager Von - Hagens with visual language in art, especially with literature anatomical Renaissance and Baroque and shows the dead body as they existed at the theater anatomic up late 18th century gls germany to the birth of modern clinical perspective. Philosophy of Michel Foucault important element of the anatomy of these historiography cultural discourse. 'Birth of the clinic "for example (although Foucault does not deal with the history of anatomy, but part of the pathological anatomy consolidating clinical perspective, within gls germany the basic unit of" clinical perspective ", which is a foundation of pathological anatomy) it shows the body Akonstrookte history - social.
Article I will present the key values of dialogue anatomy of the Renaissance and Baroque, and especially the discovery his outstanding from the scientific literature, the project of Von - Hagens talk with him: "Figure title page" book "about the structure of the human body" (De humani gls germany corporis fabrica libri septem), known as the "Fabrica" (Fabrica), from the central gls germany anatomist Andreas in the 16th century and Zelios (Figure 1). His book includes 663 pages and 300 illustrations, has revolutionized gls germany the study anatomy and his teaching methods and is still considered one of the most important books of scientific anatomical literature. "Figure title page" is displayed permanently in his exhibitions of fun - Hagens.
Tradition "cabinets gls germany of wonder" in the foyer of the Institute of Anatomy at Heidelberg was a sign: "Hic gaudet mors succurrere vilate", which means "happy death here come to the rescue of life." And had to do it standing up straight.
The exhibition "Body Worlds" or "material world", Körperwelten German, includes hundreds of body parts (torso, limbs, hands and feet, heads, etc.), dozens of bodies integrity staged in different positions, systems, skeletons, systems, muscles, internal organs (heart, lungs, kidneys, intestines, ovaries, etc.), complete and incomplete systems of blood vessels, are shown in the transverse and longitudinal sections of tissues, embryos, etc., all canned and processed through a process Hflstintzih. Among the exhibits are arranged to have a world of photographic documentation, journalist and television. Other affiliations staged historical field of scientific anatomical representation (drawings, sculptures and exhibits peeling wax from the 16th to the beginning of the 19th century).
"From one exhibition gls germany were presented in more exotic [...] when expanded technical possibilities, the creative team started - very fun - Hagens poses a dream to invent more and more spectacular [...]" wrote critic Tony Walter. The technique also allowed the enlargement of exhibits; "cyclist", presented at the exhibition in London
No comments:
Post a Comment